It appeared once more in 2010 and was recorded as having sold for $66,000 and Menzies had most likely now divested himself of the work. Description: Ronnie's works first appeared in Papunya Tula exhibitions during the 1970s, and later in commercial art galleries in Sydney and Melbourne throughout the 1980s. A large group of wise men travelled across the country and gathered together at this site to perform ceremonies. Leave empty or type-in Cooee catalogue numbers (digits only) separated by commas eg: 1463,3119 to find selected works. inscribed verso with Ngintaka Arts, NT cat no. Fire Dreaming by Ronnie Tjampitjinpa This Aboriginal artwork represents fire, which is associated with the Pintupi traditional custom of the men to light bush fires during ceremonial men's business. Now Menzies probably owned 25%! Art Gallery of New South Wales. synthetic polymer paint on canvasboard His tribal initiation into ceremonial knowledge, along with his familiarity with country and sacred sites, stood him in good stead when, as one of the youngest painters in Papunya, he was tutored by Old Mick Tjakamarra. The rituals associated with them consist of hundreds of song and dance cycles telling of the travels and adventures of the Tingari, their creation of sacred sites and fertility rites, the significance of body designs, and decorations made of woven human hair. SIGNED: Comes with Certificate of Authenticity. OTHER NOTES: In this painting Ronnie has depicted some of the sites in the desert south of Kintore at which novices were initiated into manhood. Description: RONNIE TJAMPITJINPA 122 x 181cm Katherine Art Gallery & Pandanus Gallery certificates, plus progress photos (cat no. RONNIE TJAMPITJINPA Born: c.1943 Muyinnga NT Language: Pintupi Country: Lake Mackay Region: Walungurru (Kintore) & Alice Springs NT EXHIBITIONS—SOLO (SELECTED) 2020 Special Edition – New Screen-prints Fireworks Gallery Brisbane and participating auction houses. Many of the procedures were secret but some could be revealed to outsiders. Description: RONNIE TJAMPITJINPA(born c.1943) Bushfire Dreaming 170 x 120cm (stretched and ready to hang) born c.1943 99cm x 140cm, RONNIE TJAMPITJINPA "Untitled" Acrylic on canvas. Ronnie’s offerings at auction have been voluminous with 460 works offered for sale since they first appeared in 1995, and his clearance rate under 50%. In doing so he and his male contemporaries returned to the sacred men's key designs engraved on ceremonial weapons and artefacts. Description: RONNIE TJAMPITJINPA "Untitled" Acrylic on canvas. In 1984 Tjampitjinpa won the Northern Territory Art Award. I have no proof whatsoever of its veracity] But Kumpuralgna 1996 has appeared in four Menzies sales over a period of 9 years. His family moved extensively across the Pintupi and Northern Territories, living in the semi-nomadic Aboriginal manner that has been tradition for over 40,000 Ronnie Tjampitjinpa Artworks - Page 1 of 1. Description: Ronnie Tjampitjinpa walked with his family out of the West Australian desert and settled into life at the tumultuous and crowded settlement of Papunya at 13. His first solo exhibition was held at Gallery Gabrielle Pizzi, Melbourne in 1989, and his work was included in The Tingari song and dance cycles are the most secret and sacred of the deeply religious rituals of the Western Desert Tribes of Central Australia. Subscribe to access price results for 150,000 different artists! IAD Press. Artwork is stretched and ready to hang. After attending the European-style school in Papunya he returned to the Western Desert, went through initiation at Umari near his birthplace in the region near Muyinnga, about 100 km west of the Kintore Ranges, spent time in Yuendumu and then returned to live with his relatives in Papunya. These results continue to follow the familiar provenance and style model, even if the value has increased fivefold since 2002 (after which his top values plateaued for over a decade.) SIGNED: AKA Ronny Patinga, Yuntantji, Jampijinpa, Djambidjimpa, Tjambitjimba, Tjampatjimpa. Papunya Tula Artists Pty Ltd, Alice Springs, Northern Territory Being one of the youngest to begin painting, Ronnie began to demonstrate a more bold and expressionistic approach. In 2017 his previous record was shattered when Wilkinkarra (Lake Mackey) fetched almost double the record of $79,812 it had replaced. Commissioned in 1995 for Papunya Tula Artists, Alice Springs synthetic polymer paint on linen Water Dreaming, acrylic on canvas, bears catalogue number verso 'RT-006', '8937'. The Tingari are a group of mythical characters of the Dreaming who travelled over vast stretches of the country, performing rituals, creating and shaping particular sites. Description: RONNIE TJAMPITJINPA(born c.1943, Pintupi Language Group) Bushfire Dreaming Ronnie, having been initiated, became an important participant and mediator in this process. WAPILKA, 1995 His early works are rare and do not share the visual strength of the early boards by many of the older men. An expanse of interlinked concentric circles, executed here in white, yellow and red, is confronted by square geometric shapes. Ronnie Tjampitjinpa $7,500 Bush Fire Dreaming Ronnie Tjampitjinpa $7,500 s Subscribe for updates Be aware of new artwork and special offers. PROVENANCE: He won the Alice Springs Art Prize in 1988, followed by successive solo exhibitions at Gallery Gabrielle Pizzi in 1989 and 1990. From the early 1990s he initiated the new optical style adopted by several male Pintupi artists. SIGNED: Leibig, as genuine art and notably of the highest standard. His work was subsequently included in a number of major survey exhibitions in Australia and overseas, including a solo retrospective in 2015 at the Art Gallery of NSW. In a career spanning 40 years, Ronnie Tjampitjinpa is inimitable among Papunya Tula artists with his unique optical and mesmerising paintings of the Tingari ancestors. Able to earn money wherever he goes, Ronnie is the quintessential modern nomad, familiarly known across a wide expanse of country as he constantly travels in his four-wheel drive with his spears tied on the roof. The songs associated with them consist of hundreds of stanzas, telling of the travels and adventures of the Tingari, their creation of sacred sites and fertility rites, the significance of body designs, and decorations made of woven human hair. Papunya Tula Artists, N.T Alan Boxer Private Collection Coo-ee Aboriginal Art Gallery, NSW, The Tingarri song and dance cycles are the most secret and sacred of the deeply religious rituals of the Western Desert Tribes of Central Australia.According to the mythology, a group of old men moved continuously from waterhole to waterhole throughout the Western Desert. Available for sale from Rebecca Hossack Art Gallery, Ronnie Tjampitjinpa, Tingari (2000), Synthetic polymer paint on linen, 100 × 76 cm Discover, buy, and sell art by the world’s leading artists Tribute. Description: Ronnie Tjampitjinpa (c1943 - )Water Dreaming acrylic on canvas The repeated concentric oblong patterns represent the sites where the Tingari men stopped during their travels. As senior custodian of the Honey Ant Dreaming, Tjakamarra had played an instrumental role in initiating the Papunya art movement. THis is due principally to his independence as an artist in a market where Ca. Australian Perspecta in 1993. inscribed verso with artist's name and Papunya Tula cat. Comes with Certificate of Authenticity. Often composed from one or more geometric forms enlarged to monumental size and highlighted in alternating bands of bright colours, the simplicity of his painting belies the complexity of that which is depicted. The design in this painting represents rainwater filtering and washing its way to the soakage water site at Ungama. synthetic polymer paint on linen More than any other figure, Ronnie Tjampitjinpa can be credited with having forged a new artistic direction in embracing aesthetic minimalism, thereby freeing up further possibilities for the emerging generation of painters and challenging fixed perceptions of Western Desert art. Ngintaka Arts, NT Ronnie Tjampitjinpa began to paint early in life and outlived most of his older contemporaries. During this period, Tjampitjinpa emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. These developments were encouraged by the return to tribal lands, facilitated by a change in government and Indigenous policies in the late 1970s and early 1980s. Artwork is stretched and ready to hang. Generally, the Tingari are a group of mythical characters of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping particular sites. A.G.O.D. His low clearance rate is due principally to his independence as an artist in a market where provenance was considered so important. In 2017, after having enjoyed the work for over 15 years, the collector released the work to auction, making an extremely healthy profit. Until 1972 these were only passed on from generation to generation by designs drawn in the sand and their meaning explained in song and dance cycles. Papunya Tula, Genesis and Genius. His work was subsequently included in a number of major survey exhibitions in Australia and overseas, including a solo retrospective in 2015 at the Art Gallery of NSW.â?¨â?¨The Tingari song and dance cycles are the most secret and sacred of the deeply religious rituals of the Western Desert Tribes of Central Australia. Private sale. He has enjoyed a long and fruitful career as a painter during which he has produced works in a variety of different styles. Many of the procedures were secret but some could be revealed to outsiders. As senior custodian of the Honey Ant Dreaming, Tjakamarra had played an instrumental role in initiating the Papunya art movement. SIGNED: PALKARULKULNGA, 2002 Description: RONNIE TJAMPITJINPA (BORN CIRCA 1943) Carrying an ambitious presale estimate of $75,000-95,000 Ceremonial Dreaming 1972 had failed to find a buyer until a week after the auction when reportedly sold by private treaty for $50,000. Like most of his highest prices, this work was created at Papunya Tula for a major dealer in Gabrielle Pizzi. no. As senior custodian of the Honey Ant Dreaming, Tjakamarra had played an instrumental role in initiating the Papunya art movement. (accompanied by accompanied by certificate of authenticity from Flinders Lane Gallery and colour photocopied photographs of the artist with painting in progress.) Ronnie Tjampitjinpa has been the recipient of a number of awards, including the 1988 Alice Prize. A founding member of the Papunya Tula Artists, Tjampitjinpa is known for his bold and graphic paintings detailing the stories and travels … Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. His hypnotic designs explore interacting geometric shapes which emanate an eye-catching, pulsating action. inscribed verso with artist's name and Papunya Tula cat. There he worked as a police tracker, health worker, and labourer. Private collection, Tasmania... Log in or Create account to view price data. https://www.kateowengallery.com/.../Ronnie-Tjampitjinpa.htm 122.0 x 152.5 cm In what has been a rare occurrence, a not dissimilar work almost twice the size was offered for sale by Lawson~Menzies in May 2007. More than any other figure, he can be credited with having forged this new artistic direction that embraced aesthetic minimalism, thereby freeing up further possibilities for the younger upcoming generation of painters, and challenging fixed perceptions of Western Desert art. Artwork is stretched and ready to hang. In mythological times a Snake Ancestor came to this site from Karrinyarra (Mt. We specialize in Australian Aboriginal Art primarily from the Central Mundine, Djon. Seeking to establish himself as a serious painter, Ronnie took an independent direction and began to expand various elements of the Pintupi painting lexicon, increasing them in size and proportion, resulting in what Vivien Johnson described as ‘the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s’.1 Australia (Aboriginal), Artist Proof, titled Emu Dreaming, 1997, signed lower left, approx 60cm x 45 cm. bears inscription verso: artist’s name, size and Papunya Tula Artists cat. Tjampitjinpa was fascinated and began to paint in the early 1970s, although his career as an artist really blossomed in the mid 1980s. Tjampitjinpa’s painting output for Papunya Tula during the 1970s was limited as his focus at that time was directed towards the outstation movement and the return of the Pintupi to their homelands in the Western Desert. Estimate: AUD8,000 - AUD12,000 Description: Ronnie Tjampitjinpa walked with his family out of the West Australian desert and settled into life in the tumultuous and crowded settlement of Papunya at 13 years of age. His tribal initiation into ceremonial knowledge, along with his familiarity with country and sacred sites, stood him in good stead when, as one of the youngest painters in Papunya, he was tutored by Old Mick Tjakamarra. Ronnie Tjampitjinpa walked with his family out of the West Australian desert and settled into life at the tumultuous and crowded settlement of Papunya at 13. Painted in 2015. Artwork is stretched and ready to hang. More than any other figure, Ronnie Tjampitjinpa can be credited with having forged a new artistic direction in embracing aesthetic minimalism, thereby freeing up further possibilities for the younger upcoming generation of painters, and challenging fixed perceptions of Western Desert art. 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Authentic Aboriginal Art - RONNIE TJAMPITJINPA - 2011 TINGARI & FIRE DREAMING - 122 X 91cm - with 15 Working Photos and COA. 160 x 116cm RONNIE TJAMPITJINPA born 1943, Pintupi language group Tingari Cycle 1997, synthetic polymer paint on canvas, 212.0 x 374.0 cm, dated and inscribed verso: FW6038/ KA707/97 , accompanied by a certificate of authenticity from Kimberley Art Kimberley Art, Melbourne Private collection, Melbourne Lawson-Menzies, Sydney, 19 June 2008, lot 221 Private collection, Melbourne Menzies, Melbourne, 20 June 2012, lot 95 Company collection, Melbourne Menzies, Sydney, 10 December 2015, lot 52 Company collection, Melbourne, RONNIE TJAMPITJINPA (BORN C,1943) Abstract, oil on canvas, 122cm x 51cm, includes and certificate of authenticity With Gallery Gondwana, RONNIE TJAMPITJINPA, born c.1943, OLD WOMAN AND HER TWO CHILDREN (THUNDER AND LIGHTNING), 1993, synthetic polymer paint on linen, © Ronnie Tjampitjinpa/Copyright Agency, 2019, RONNIE TJAMPITJINPA "Fire Dreaming" Acrylic on Belgium linen. Ronnie Tjampitjinpa was born in 1943 in Tjiturrunya, Western Australia. Comes with Certificate of Authenticity. PROVENANCE: Comes with Certificate of Authenticity. From the early 1990s he initiated the new optical style adopted by several male Pintupi artists. Art Index, Sydney 2013 (accompanied by a certificate of authenticity) no. Bid now on Untitled by Ronnie Tjampitjinpa. 1996. Dreaming at the Asia Society Gallery, New York in 1988, and On their travels important serpents crossed their path. This 364 x 153 cm work was commissioned by Kimberley Art in Melbourne from dealer Peter Van Groessen and featured a number of the artist’s most important themes. He won the Alice Springs Art Prize in 1988 and this was followed by successive solo exhibitions at Gallery Gabrielle Pizzi in 1989 and 1990. He was in his late 20s at the dawn of the Desert painting movement in the community. Buy collectable artworks backed by comprehensive market information and impeccable provenance, Use left and right sliders to adjust LOW and HIGH price, Leave empty or type-in a single keyword to search in artist name. Acrylic on Belgian linen, unstretched In Kampuralagna, Ronnie Tjampitjinpa combines two modes of expression typical of Tingari paintings. It was the height of the assimilationist era as the Australia Government oversaw the movement of traditional nomadic people from their Pintupi homelands. no. Of all the artists who emerged from the Papunya movement, the paintings of Ronnie Tjampitjinpa are some of the most recognisable. His work was subsequently included in a number of major survey exhibitions in Australia and overseas, including a solo retrospective in 2015 at the Art Gallery of NSW. The Tingari song and dance cycles are the most secret and sacred of the deeply religious rituals of the Western Desert Tribes of Central Australia. Fireworks Gallery, Brisbane In 1971, at the dawn of the Desert painting movement, Ronnie Tjampitjinpa was in his late 20’s. inscribed verso: artist's name, size and Papunya Tula artists cat RT951005 He won the Alice Springs Art Prize in 1988, followed by successive solo exhibitions at Gallery Gabrielle Pizzi in 1989 and 1990. As a young man of almost 13, Ronnie Tjampitjinpa walked with his family out of the West Australian desert and settled into life in the tumultuous and crowded settlement of Papunya. His works will continue to demand record prices well into the foreseeable future. inscribed verso with artist's name, title and Papunya Tula cat. Aboriginal Fine Arts Gallery, N.T Private Collection, NSW Coo-ee Aboriginal Art Gallery, NSW Accompanied by a Aboriginal Fine Arts Gallery certificate and three photo’s of Ronnie painting, Ronnie Tjampitjinpa (c1943-.)
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