He attacks a trailer full of adults, singling out a single, voluptuous young woman, ripping her clothes off in a sexually aggressive manner. Where are the power rangers when you need them? Every now and again a breeze will catch an ember causing a small flame to ignite, but moments later the seemingly growing fire settles back to a glistening glow. ‘Janet, what happened here?’ A lot was cut from Barker’s story but it also feels as if something must have been cut from the screenplay.
Rex cannot touch the woman. Save my name, email, and website in this browser for the next time I comment. If there’s one scene in the film unlikely to be forgotten, it has be Declan’s – ahem – baptism as a devotee of Rawhead. The energy overwhelms and contains Rex and he simply can’t fight back. Small wonder, then, that – not unlike Lifeforce – Rawhead Rex comes off as high camp B-movie horror with a bit of perversity and blasphemy thrown in just to tart things up a bit. But this side of things is so unexplored that an explanatory line has to be dropped in, during the big climax, just to explain what’s going on. Here again, we see interesting gender stereotypes in the way that Howard thinks about the image. But things are going to get a whole lot weirder and more personal before Rawhead’s reign of terror is over. On multiple levels this sets the stage for what is about to unfold. Rex‘s costume is bulky and at times very mechanical, but time has given his appearance a whole new appeal and charm. Automatically he assumes that the solution, or item the figure is holding has something to do with a physical advantage or an item of power. Something to think about. The power comes to her naturally as it is innate in her being. Ireland will never be the same after Rawhead Rex, a particularly nasty demon, is released from his underground prison by an unwitting farmer. It’s long been said that Clive Barker, who wrote the screenplay from his own short story for director George Pavlou, was so appalled with the resulting film – not to mention their earlier collaboration, Underworld (AKA Transmutations) – that he decided he would no longer put his work in the hands of another director, and opted to personally take the helm on his next film, 1987’s Hellraiser.
With Features, Editorials and Reviews from our amazing team of Contributors, as well as candid and comedic discussions on our top-rated horror podcast! Rex‘s physical appearance also helps contribute to its folk horror status as Rex is clearly more than human and very clearly male. He’s attacked a young teenage couple, eliminating the young teenage boy and ignoring the teenage girl. In the extras, actors Hugh O’Conor and Cora Venus Lunny, who played the Hallenbecks’ young children, state that even they were aware at the time that it was a somewhat ‘schlocky’ production. Being an 80s horror movie, Rawhead Rex obviously doesn’t favour the less-is-more, keep the monster off camera approach: he’s on screen a lot from early on, and his whole presence personifies the film.
RAWHEAD!’’ Then there’s the family at the centre of things. A record store nerd from Boise, Idaho with an obsession for horror soundtracks and all things creepy. This sub-genre that seems to ebb and flow with the decades is the fascinating and persistent genre of ‘folk horror.’ While titles like 1973’s The Wicker Man and 1971’s The Blood on Satan’s Claw may immediately come to mind, there is one often overlooked and easily dismissed film that deserves a bit more attention; George Pavlou’s 1986 film Rawhead Rex. Clive Barker’s Rawhead Rex. There are interesting themes still visible through the overacting.
She leans against Howard as he physically holds her upright and escorts her out of the graveyard. This energy, this divine feminine energy, is the only thing that can defeat Rex. In my opinion, Rawhead Rex is an example of how fine the margins can be in horror, between scary and funny.
Ok, so what exactly is Rawhead Rex about, why is it important and how does it fit into the folk horror sub-genre?
It’s not until he finds the missing piece, mistakenly placed in another window does he see the full image and the item the figure is holding. ‘Ha, ha’ Rawhead Rex was based on a short story by Clive Barker who had a very definite opinion of the finished product.
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