Lester Young was influenced by the lighter, vibratoless sound of which earlier saxophonist? American swing musicians were celebrated in _______, where their performances were embraced as the dissident music of liberation. Sein Vater, Willis Handy Young war ein umherziehender Musiker und Musiklehrer, der am Tuskegee Institut studiert hatte und der mit Karnevals- und Minstrel Shows ständig auf Tournee war. Lester Young was influenced by the lighter, vibrato-less sound of this earlier saxophonist: Frankie Trumbauer. had a light sound, played rhythmically unpredictable phrases, and spoke a special slang. Lester Young was one of the true jazz giants, a tenor saxophonist who came up with a completely different conception in which to play his horn, floating over bar lines with a light tone rather than adopting Coleman Hawkins' then-dominant forceful approach. Often cited as jazz's greatest vocalist, this singer had a thin, edgy timbre, and worked within a range of no more than an octave and a half.
true . Coleman Hawkins's most famous recording, the 1939 ______, was a pinnacle in jazz improvisation and a tremendous commercial success. This soloist, who pioneered the idea of "cool," once expressed this aesthetic by saying: "I'm looking for something soft. Several different rhythms sounding at the same time. Coleman Hawkins. He possessed a superb sense of timing that helped promote the bass to its role as principal timekeeper in the band. There is general consensus that jazz is characterized by three essential features.
One of the first masters of the walking bass, his association with Basie goes back to the 1920s. Which one of the following is NOT true of jazz? Performed by. Billie Holiday. The first great electric guitarist in jazz was: This singer won a talent show at the Apollo Theater at age 17 and was the featured singer with the Chick Webb Orchestra at the Savoy Ballroom. The distance between any two adjacent keys on the piano is called a: The function of the clef is to indicate the range of pitches to be played. A pioneer in the emerging swing style of jazz; his charts featured a call-and-response that would pit the reeds against the brass, which became a model for most of the swing bands that followed; "Wrappin' It Up" was one of his band's notable pieces: The first great tenor saxophonist, he developed a warm, full sound that was emulated by many who came after him. Which statement accurately describes this organization? The first 50 seconds of "East St. Louis Toodle-oo" feature a "wa-wa" solo by Joe Nanton on the trombone. Lester Young and Herschel Evans were the 'dueling tenors' for the Count Basie Band. Where could one enjoy Swing Era soloists other than in formal concert settings? Often cited as jazz's greatest vocalist, this singer had a thin, edgy timbre, and worked within a range of no more than an octave and a half. a 1944 short film featuring a jazz improvisation. a new melody, built from riffs and based on rhythm changes. Distributed solos using. Lester Young is known for his innovative characteristics as a soloist. Why?
Coleman Hawkins, Lester Young, Art Tatum.
vertical Harmonic style, very jaggedy. A chord in which each note is separated from the next by a third is known as a: An accent on an unexpected part of the measure, that strengthens weak beats and undermines the strong ones produces: In jazz, the general label for any wind instrument is: The B part of an AABA composition is also known as: The music reflects the experience of the New Orleans upper class, who had the leisure time to create it. Count Basie composed the landmark tune 'Mood Indigo' false. This saxophonist had a "musical romance" with Billie Holiday, often appearing as her accompanist on her recordings: Lester Young. Which piece played by the Count Basie band features a series of alternating solos between the tenor saxophonist and the pianist-—even to the point of "trading fours" in the fourth chorus? In a racially segregated America, he crossed the color line by hiring African Americans to play in his combos. Sweetness can be funky, filthy, or anything.". Lester Leaps In. was star soloist of band fletchers henderson band in 30's . As a vocalist, Billie Holiday was strongly influenced by. Coleman Hawkins. I can't stand that loud noise. The most harmonically daring and influential trumpeter of the Swing Era was. A clarinetist and soprano saxophonist, he was one of the great early New Orleans jazz musicians, known for his blues-infused improvisations. improvisation, swing feeling, bluesy flavor. 1921 played jazz professional. Coleman Hawkins. Seine Mutter war eine Schullehrerin kreolischen Ursprungs. Which one of the following is NOT a characteristic of Young's solo style? An early important white trumpeter, his improvisations conveyed an advanced harmonic conception. Coleman Hawkins's _____ became a pinnacle in jazz improvisation. trading fours.
embellished and altered the melody in subtle and personal ways. 1923 moved to nyc and joined fletechers band. Which one of the following is NOT a characteristic of Young's solo style? The musical language of ________ is characterized by the fundamental harmonic relationship between tonic and dominant.
One of the great jazz pianists coming out of the stride tradition, he possessed extraordinary facility, combining dazzling technique with a marvelous feel for the blues; he is noted for his chord substitutions, and is reputed to have never lost a cutting contest: Tenor saxophonist, he joined Ellington's band in 1940; his "airy" ballad style solos were so tuneful that they often sounded as though they could have been the original song: The band would be divided into three sections: reeds, brass, and rhythm.
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