I looked at the script and the name was I Married a Communist and I thought this was kind of funny...I never read such a bad script in my life; the more I thought about it, the more convinced I became that it could never be made...[but] I decided to stick it out. TMC: “Cromwell may have been exceptionally familiar with the material, but Hughes wasn't pleased with his cut of the film. Cinematographer James Wong Howe's lighting and camera work effectively documents the transformation in Lincoln that earned Howe an Oscar nomination. ", Canham, 1976 pp. The film bears similarities in setting and staging to director James Whale's Show Boat released the same year. "John Cromwell - Director - Films as Director:, Other Films:, Publications", "Ban Is Lifted - - Theaters Re-Open This Week in Dayton to Stay Open", http://projects.latimes.com/hollywood/star-walk/john-cromwell/, http://www.tcm.com/tcmdb/title/1309/Abe-Lincoln-in-Illinois/articles.html, https://www.britannica.com/biography/John-Cromwell, http://www.tcm.com/tcmdb/title/15894/The-Goddess/articles.html, https://www.imdb.com/name/nm0188669/bio?ref_=nm_sa_1, https://www.imdb.com/name/nm0188669/otherworks?ref_=nmbio_ql_2, https://www.tcm.com/tcmdb/title/71346/The-Company-She-Keeps/articles.html, http://www.tcm.com/this-month/article/216307%7C0/Directed-By-John-Cromwell.html, http://www.tcm.com/tcmdb/title/90225/Since-You-Went-Away/articles.html, http://www.tcm.com/tcmdb/title/2238/In-Name-Only/articles.html, http://www.tcm.com/this-month/article/103611%7C0/The-Racket.html, https://www.theyshootpictures.com/cromwelljohn.htm, Tony Award for Best Performance by a Featured Actor in a Play, Screen Directors Guild and the Directors Guild of America, https://en.wikipedia.org/w/index.php?title=John_Cromwell_(director)&oldid=986087370, Presidents of the Directors Guild of America, All articles with links needing disambiguation, Articles with links needing disambiguation from October 2020, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Cromwell's professional view of Bancroft's performance in Rich Man's Folly elicited these remarks: [The role] should have been absolutely splendid for Bancroft except it required a consciousness of the material—of which he had none! TMC. In the 1928 silent film adaption of the play directed by Lewis Milestone and produced by the 22-year-old Howard Hughes, Robinson is elevated to the role of gangster Nick Scanlon for this silent film version. Grant retains his "natural flippancy" to deliver a number of comic scenes which avoids undermining his character's credibility, and Kay Francis' obsessive matron agrees to give Grant a divorce with this malignant invective: "I hope you'll both be miserable!" [53], David O. Selznick enlisted Cromwell to make a heavily invested re-make of the silent era film Little Lord Fauntleroy (1921)[54][55], The casting of child actor Freddy Bartholomew in the title role was a masterstroke by Selznick and Cromwell's direction showcases the "sheer professionalism" of Bartholomew's acting abilities.
[52], After his recent collaborations with Pandro S. Berman and other producers, Cromwell reunited with David O. Selznick, following him to United Artists and 20th Century Fox to make five films: Little Lord Fauntleroy (1936), To Mary – with Love (1936), Banjo on My Knee (1936), The Prisoner of Zenda (1937) and Algiers (1938). "[93], Cromwell’s disparaged his next assignment, Son of Fury, as strictly “a studio project.” Financed generously by 20th Century Fox but controlled at every phase to ensure its commercial success, Cromwell was limited to using its “lavish sets" by Darryl F. Zanuck to manufacture "a stock 20th Century Fox costume" period-piece.
McQuigg (with future film star Edward G. Robinson in a bit part). Despite a picket line manned by local priests in Chicago, Cromwell's film broke all records at the [Chicago] Hippodrome Theater when it played there in August 1934. Schulberg replied 'If I give you the privilege, they'll all want it, and that will just create a situation...'[24], Cromwell bargained with the producer, and they agreed to trade shooting days in exchange for rehearsal days.
[13]. He directed the second cinematic version of Mark Twain's Tom Sawyer (1930) with Jackie Coogan starring as the eponymous Tom. When delays in production threatened to trigger the "triple-salary" provision in Cromwell’s contract, RKO dropped the project. John Cromwell: Biography.
Canham, 1976 p. 98: "the Selznick/Cromwell collaboration...is so slickly welded that one hardly notices the device during viewing. Due to his blacklisting by the Hollywood studios, Cromwell would not be rehabilitated to the film industry until 1958.
"Whether by luck or design, Cromwell's eclectic career has been redeemed by the iconographical contributions of Irene Dunne, Katharine Hepburn, Bette Davis. Though awarded approval, RKO's production spurred the formation of the Production Code Administration under moral crusader Joseph Breen[30][31], Cromwell's first two pictures of 1934 are termed "largely forgettable" according to author Micheal Barson, beginning with a "miscast" Katharine Hepburn in Spitfire. The simple narrative of young newlyweds struggling with both "the trivial and the traumatic" provided a platform to showcase Cromwell's adept handling of the cast. [The screenwriters] provided the usual pile of stuff they always had handy to see whom they could pass it off on...I finally got this one, a noxious sort of thing, but I felt perhaps that [Bogart and I] could make something of it.”[122], Despite these conceptual limitations, Cromwell achieves a level of coherency that delivers a vigorous film in the noir style. Gordon's Mary Todd forthrightly sets about preparing Lincoln to face his destiny in anticipation of marrying him, providing "a remarkably astute cinematic interpretation." Cromwell was enticed to return to film directing when Columbia Pictures promised him the option make “first cut” on the proposed feature. And p. 74: Philip's "obsession with Mildred…", Barston, 2019: "The acclaimed drama was especially notable for a breakthrough performance by Bette Davis.". However erroneous this assumption, Cromwell and Sutherland enjoyed a productive collaboration completing two early talkies, both in 1929: Close Harmony, a jazz-band romance, and The Dance of Life, based on the George Mankers Watters play Burlesque (Sutherland's co-direction went uncredited in The Dance of Death). Co-star Madeleine Carroll soon approached Cromwell, claiming a facial defect on the same side as Colman, meaning any face-to-face on-screen close-up would put one actor at disadvantage. Looking for something to watch? 76–77: Cromwell's "eye for correct casting" and the English Colony" providing a "strong presence" in the film.
He made his Broadway debut on October 14, 1912, in, ’21 Bridges’ Review: Chadwick Boseman Gets Betrayed By His Own Cop Thriller, Jeff Bridges Steers Golden Globes Audience Towards ‘Creating a Healthy Planet For All of Us’, Golden Globes Honoree Jeff Bridges Reflects on ‘Great Life’ in Showbiz, A Night at the Movies: Hollywood Goes to Washington, The Best TV Shows About Being in Your 30s. And p. 99: see caption on production photo. Canham, 1976, p. 122: "slatternly waitress", Hopwood, IMDb: "chapters of the Catholic Church's Legion of Decency condemned the film in Chicago, Detroit, Omaha and Pittsburgh. John Cromwell (born Elwood Dager, December 23, 1886 – September 26, 1979), was an American film and stage director and actor.
A film that emphasizes characterization over incident, Cromwell's handling of the camera endows the picture with a cinematic quality that avoids the impression of "filmed literature."[56].
Date unk. "[126], Cromwell’s agent had negotiated an excellent film contract, but within weeks RKO was purchased by film producer and anti-Communist ideologue Howard Hughes. I'll take some credit for making her acting passable but can only share credit with Boyer fifty-fifty. The production was an immediate hit and ran for 184 performances. "[66] Both Cukor and Van Dyke went uncredited as was customary under Director's Guild rules.
", LoBianco, TMC: "After a string of hugely popular and successful comedies, Carole Lombard was eager in 1938 to find a pure drama...eager to show off her dramatic acting chops.
", Canham, 1976 p. 90-91: "Lombard is her unique self...[alternating] between gay charm and noble, dignified self-sacrifice..." And: "Grant if believable...and works in some good comedy routines…" And Kay Francis' character resembles the "stubborn, obsessive women" who would appear in Cromwell's, Passafiume, TMC: "The positive values that Lincoln represented lent optimism to Americans, as the threats of Hitler and Totalitarianism were very much in the public consciousness. [78][79], A distinct critical success, but undistinguished at the box-office, Cromwell was delighted to have the opportunity to direct Lombard in his next feature film: In Name Only (1939).
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