There was a problem loading your book clubs. E. B. Cowell (Anon), Fraser’s Magazine 50, 1854, pp. It also analyzes reviews to verify trustworthiness. The first poem by Hafez to appear in English was the work of Sir William Jones (q.v. With only a few exceptions, the English translations generally lack any great poetic merit, and they have rarely managed to allow the English reader even a glimpse of the rich clarity and vigorous beauty of a great medieval Persian poet. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. - xiv. . This edition features short English translations to allow you to share this Persian tradition with your English-speaking friends.
Gertrude Bell, Poems from the Divan of Hafiz, London, 1897; reissued as The Hafez Poems of Gertrude Bell, Bethseda, Md., 1995. Idem, Fifty Poems of Hafiz, Text and Translations, Cambridge, 1947. They present each bayt in an unrhymed couplet of loose six-stress lines, which preserves something of the essentially symmetrical form of the original. ©2020 Encyclopædia Iranica Foundation, Inc. All Rights Reserved. Please try again.
A Fal is actually one of his Ghazals (Ghazal is a type of persian poem) but you choose it in a specific random way,first you need to have an intention of taking Fal, then just open Divan-e-Hafez and the First Ghazal that your eyes have a sight on is your Fal,and amazingly that ghazal ‘s interpretation will be just as related to your intention as it It is just generic Hafez omen cards with Farsi interpretation. 505-19. Here the translator is not restricted by rhyme and meter, but offers readability and euphony. 1918), who argue that “the employment of rhymed stanza-forms of traditional English verse inevitably leads to the imposition of formal conceptions which are . Idem, “Hafiz,” in J. Kritzeck, ed., Anthology of Islamic Literature, New York, 1964. Idem, “Hafiz in English: Translation and Authority,” Edebiyât 6, 1995, pp. in C. F. Terrell, ed., Basil Bunting: Man and Poet, Main, Conn., 1980, pp.
Among the imitators of Hafez there are three eminent figures, Reynold Alleyne Nicholson (1868-1945), Elizabeth Bridges (1887-1977), and Basil Bunting (1900-85); the Sonnets of Bridges, and the ‘Overdrafts’ of Bunting, are both highly accomplished, and they communicate much more of the nature of Hafez’s greatness than is communicated by the more “faithfully” literal translations. Only three translators of Hafez have attempted this method: Walter Leaf (1852-1927), John Payne (1842-1916), and Paul Smith (b. H. Bicknell, Hafiz of Shiraz: Selections from his Poems, translated from Persian, London, 1875. It is extremely unmellifluous and, at times, well-nigh incomprehensible in its use of archaic and coyly poetic diction. Among the prose trans-lations, and perhaps deserving more attention than they have generally received, are those in what Jones calls “modulated, but unaffected prose” (quoted by Clarke, p. viii). Leaf’s, indeed, is an impressively intelligent piece of work which reproduces many of the formal features of the original, while managing to be as faithful as most translations in far freer verse forms. Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī , known by his pen name Hafez ( Ḥāfeẓ; 1325/26–1389/90), was a Persian poet who "laud [ed] the joys of love and wine [but] also targeted religious hypocrisy". His version is very much indebted to his predecessors. Their work is as diverse as that of the earlier translators, but their translations are generally presented in simple idiomatic English; Rehder’s translations are in free verse. F. M. Rundall, Selections from the Rubaiyat and Odes of Hafiz, The Great Mystic and Lyric Poet of Persia, London, 1920. Hafiz in English.
After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. The main objection here is the one expressed by Cowell, which is forcefully expressed again by Peter Avery (b. Another English verse form that has been frequently employed (e.g., by A. J. Arberry) is that of the quatrain of octosyllabic iambic lines. HAFEZ in English. Amongst translations in this form, those of Colonel Frank Montague Rundall (1851-1930) successfully imitate the monorhyme of the original. . 288-95. To get the free app, enter your mobile phone number. The illustrations on the backs of the cards (which do repeat, though the fortunes are all different) are by the internationally acclaimed artist Mahmoud Farshchian. Some of the earlier translations in free verse fail to give even a glimpse of Hafez’s greatness. As Smith (like Payne) tortures Hafez into English ghazal forms, the results are as unattractive and as unsuccessful (and indeed as unreadable) as Payne’s version. Please try again. . A. J. Arberry, “Orient Pearls at Random Strung,” BSO(A)S 11, 1946. Far too many translators in this category have tried to judge the Persian poet according to their own understanding of western classical literary theory and thus have felt obliged to “improve” upon his work. Cowell’s translations, though literal, are written in smooth idiomatic English and are amongst the best of Victorian translations. The twentieth century has seen the emergence of yet another type of translator, the scholar-translator. J. Nott, Select Odes from the Persian Poet Hafez, London, 1787.
. . S. Robinson, A Century of the Ghazels, or a Hundred Odes, Selected and Translated from the Diwan of Hafiz, London, 1875.
51-58; repr. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Submitted tags will be reviewed by site administrator before it is posted online.If you enter several tags, separate with commas. His translation of the “Tork-e šīrāzī” ghazal(q.v.
PRINTED EDITIONS OF THE DIVĀN OF HAFEZ, HAFEZ iv. R. Saberi, The Poems of Hafez: Translated from the Persian, Lanham, Md., 1995. Some of these translators provide word-for-word translations, sacrificing idiomatic English for “fidelity.” Their aim is no more than to provide a crib for the student of Persian. Fal-e Hafez. The third category of translations, though one hesitates to call them translations at all, are those in which the author exercises the liberty not only of changing the words and sense of the original but also abandoning them as he or she pleases. B. Bunting, Uncollected Poems, Oxford, 1991. Iraj Bashiri, “Hafiz’ Shirazi Turk: A Structuralist’s Point of View,” The Muslim World 69, 1979, pp. HAFEZ’S TOMB (ḤĀFEẒIYA). You're listening to a sample of the Audible audio edition. To which are added two essays, Oxford, 1772. R. A. Nicholson, The Don and the Dervish, A Book of Verse Original and Translated, London, 1911.
178-79 and 248-68. 498-500. Some of Jones’s translations, as well as those by S. R. (Samuel Robinson, 1794-1884) and Justin Huntly McCarthy (1860-1936), are examples of this kind. There are 50 cards in the set. 5, pp. Those in the West who are familiar with the Tarot cards will immediately relate to the fal-e-Hafez, or the practise of divination using the poetry of this famous Sufi mystic. Most translations from Hafez are in verse. Unfortunately too many of these translators have taken excessive liberties with the imagery of the original, resulting in a sometimes confusing texture of irrelevant associations of word and image. A. M. Terhune and A. There is however a more subtle argument, which is that to translate into English verse form would be to impose an alien and inappropriate set of conventions. Le Gallienne’s translations are in stanzaic form with varied meter and rhyme. Elizabeth T. Gray, Jr., The Green Sea of Heaven: Fifty Ghazals from the Diwan of Hafiz, Ashland, Ore., 1995. Reviews Reviewer: bahramafrasiabi@yahoo.com - favorite favorite favorite favorite favorite - July 14, 2014 Subject: Deewan-e-Hafiz (Farsi with English translation) exceptional .
The artwork is brilliant! M. Farzaad, To Translate Hafez, Tehran, 1935. Idem, “Hafiz and the Sufic Ghazal,” Studies in Islam 16, 1979, pp. R. M. Rehder, “The Unity of the Ghazals of Hafiz,” Der Islam 51, 1974, pp. . Fal-e Hafez Persian Tarot Cards with English Translations, illustrated by Mahmoud Farshchian.
Le Gallienne is confident of the superiority of classical poetry and thus declares, “the difficulty of inconsequence I have endeavoured to overcome, partly by choosing those poems that were least inconsequent, partly supplying links of my own, and partly by selecting and developing the most important motive out of the two or three different motives which one frequently finds in the same ode.” (Le Gallienne, p. xviii). The multi-facetedness of Hafez has baffled almost all translators and the results of their efforts, unfortunately, have not generally been very successful. 1945). Sometimes credited as "Hafiz" or "Hafiz of Shiraz". P. Avery and J. Heath-Stubbs, Hafiz of Shiraz, London, 1952.
Justin Huntly MacCarthy, Ghazels from the Divan of Hafiz done into English, London, 1893. ), both in prose and verse, as a “Persian Song” (Jones 1771, pp. . Beyond the choice of form and the problem of communicating within one literary structure and tradition the aesthetic principles of a different tradition, the translators of Hafez have had to confront the presence—or otherwise—of Sufism in the poems. E. FitzGerald, The Letters of Edward FitzGerald, ed. Click on the button below to read Hafez’s response: The believers say that when the reader turns over a randomly drawn card (or chooses a design that is most appealing at the moment), the first line that catches the reader's eye is the answer to the question of the moment. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. There's a problem loading this menu right now. ), and have presented Hafez in the form of robāʿī. There are 50 cards in … There was an error retrieving your Wish Lists. J. S. Meisami, “Persona and generic convention in medieval Persian lyric,” Comparative Criticism 12, 1990. Please try again. Hafiz or Hafez may mean: Hafiz (Quran), a term used by Muslims for people who have completely memorized the Qur'an. J. Payne, The Poems Of . In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Smith, like Payne, has attempted to translate the whole Dīvān. . The believers say that when the reader turns over a randomly drawn card (or chooses a design that is most appealing at the moment), the first line that catches the reader's eye is the answer to the question of the moment. Her versions are still the most lucid, musical and accurate of the verse translations. H. W. Clarke, The Dīvān, . Almost all the translators of Hafez in this category have argued that the sense of the poem can be more accurately represented in prose.
The rest of the 18th century produced very little, though the translation by John Nott (1751-1825) is worthy of note. Idem, and G. Pursglove, “Basil Bunting’s Persian Overdrafts: A Commentary,” Poetry Information 19, London, 1978, pp. LEXICAL STRUCTURE OF HAFEZ’S GHAZALS, HAFEZ xi. The recent renewal of western interest in Sufism has resulted in a number of recent translations in this vein, such as those of Michael Boylan, Elizabeth T. Gray, Jr., and Reza Saberi. Such translators have generally rendered Hafez into English so as to support their own line of argument or interpretation. A highly Sufistic interpretation, heavily interpolated with notes within the body of the literally-translated text, it offers a mass of unassimilated information, which obfuscates all the poetic qualities of its original. Alexander Rogers (1825-1911) thinks the poems “give an appearance of patchwork that greatly detracts from their value as literary compositions,” (p. 127).
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