By invoking the Frontier as a symbol, Kennedy also tapped into one of the most resonant and persistent American myths. Richard Slotkin is one of the founding figures in American Studies, and his work on politics, popular culture and myth has played a decisive role in shaping our understanding of how the idea of the frontier shaped American self-consciousness. ... “Myth and the Production of History,” in Sacvan Bercovitch and Myra Jehlen, eds., Ideology and Classic American Literature. THEODORE ROOSEVELT'S MYTH OF THE FRONTIER RICHARD SLOTKIN Wesleyan University THEODORE ROOSEVELT WAS ONE OF THE FIRST HISTORIANS TO endorse Frederick Jackson Turner's controversial lecture on "The Sig-nificance of the Frontier in American History" when it appeared in 1893. The West became the most powerful reality and myth in the history of the United States. It is a form of cultural production that addresses most directly the … He is the author of Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 and Gunfighter Nation: The Myth of Frontier in Twentieth-Century America, published by the University of Oklahoma Press. Richard Slotkin is Olin Professor of English and Director of American Studies at Wesleyan University. Richard Slotkin is Olin Professor of English and Director of American Studies at Wesleyan University. [9]. As Richard Slotkin shows in this extraordinarily informed and wide-ranging new book, the myth of the Frontier has been perhaps the most pervasive influence behind American culture and politics in the 20th century. Slotkin argues, “In American mythology the founding fathers were not those 18TH-century gentlemen who composed a nation at Philadelphia. $40.00 cloth. Slotkin's subject is American myth, but he rightly understands that myths grow from and make sense of, actual historical experience. 1992. Notes, bibliography, index. of myth for the Native Americans who had been connected to the land for thousands of years, but also for the newly arrived Americans. Columbia today: the myth of th1e Drawin frontier.g on Richard Slotkin's study of the frontier myth in American history, culture, and politics (Slotki1973,1986,1992)n I sho, w that a distinctly Canadian variant thrives in one rural BC city and provides the dominant framework for the construction of popular history in public settings.2 The Myth is the Myth of the Blood, which, under the sign of the Swastika, released the World Revolution. That is to say the lone killer is trying to validate himself or herself in terms of the, I would call the historical mythology, of our society, wants to place himself in relation to meaningful events in the past that lead up to the present. Richard S. Slotkin 2 SCHOLARLY EDITIONS: So Dreadfull a Judgment: Puritan Responses to King Philip's War, 1675-1677, with James K. Folsom. Richard Slotkin's 1973 book Regeneration Through Violence meticulously chronicles how the use of violence has been integral to the construction of a distinctly American mythogenesis. History provides the context for explorations of America's mythic character, myths of innocence, … [7] See Richard Slotkin, "Myth and the Production of History," in Bercovitch and Jehlen, eds., Ideology and Classic American Literature, 70-90. His remarkable analysis of … A cultural critic of insight and wit, he has also written novels, such as the recent The Crater. BOOK REVIEW : Taking a Hard Look at Myths About America’s Frontier Soul : GUNFIGHTER NATION: The Myth of the Frontier in 20th-Century America , by Richard Slotkin … Concluding a trilogy that began with Regeneration Through Violence (1973) and The Fatal Environment (1985), Slotkin (English/Wesleyan Univ.) $40. No one denies that there was a frontier out there: Slotkin's subject is the meaning Americans found there or projected onto it. the Myth against “new empirics” therefore means that I will begin where Slotkin ended – searching for the Myth in the speeches of George H. W. Bush (1989-1993), George W. Bush (2001-2009) and the current President, Barack Obama (2009-present day). Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. New York: Atheneum Publishers of Macmillan Publishing, 1992. xii, 850 pp. the real, history. (New York: Atheneum, 1992. xii, 850 pp. RICHARD SLOTKIN: We produce the lone killer. Roosevelt greeted Turner as a colleague, and praised him for having "put $40.00, ISB David M. Wrobel; Richard Slotkin. Gunfighter Nation The Myth of the Frontier in 20th-Century America By Richard Slotkin 850 pages. I Richard White, "It's Your Misfortune and None of My Own": A History of the American West (Norman, Okla., 1991); Richard Slotkin, The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890 (New York, 1985); Patricia Nelson Limerick, et al., eds., Trails: Toward a ARTH 334: The Myth of the Frontier Excerpts from Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America by Richard Slotkin. Slotkin tells us that “Myths are stories drawn from a society’s history that have acquired through persistent usage the power of symbolizing that society’s ideology and of dramatizing its moral consciousness” (5). Historian Richard White explains: When Americans tell stories about themselves they set those stories in the West. xii, 850. $40.00, The from Richard Slotkin, Gunfighter Nation, pp. Slotkin argues, "In American mythogenesis the founding fathers were not those eighteenth-century gentlemen who composed a nation at Philadelphia. Richard White; Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. 642-43 (conclusion) The "post-Western" genre map suggests that, while the Western may no longer provide the most important of our ideologically symbolic languages, the underlying mythic structures it expressed remain more or less intact. Gunfighter Nation is a massive, complex, ultimately impressive book Richard Slotkin’s book meticulously accounts how the use of violence has been integral to the construction of a distinctly American mythology. Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America.U of Okalahoma P, 1992. Richard Slotkin, Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860 (Norman, OK, 1973); Annette Kolodny, The Lay of the Land: Metaphor as Experience and History in American Life and Letters, (Chapel Hill, NC, 1975).Back to (5) In The Fatal Environment, Richard Slotkin demonstrates how the myth of frontier expansion and subjugation of the Indians helped to justify the course of America’s rise to wealth and power. Since 1893, when Frederick Jackson … Richard Slotkin is part of a group called “Old West” historians who ascribe to the Myth-and-Symbol School when interpreting American history. He is the author of Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 and Gunfighter Nation: The Myth of Frontier in Twentieth-Century America, published by the University of Oklahoma Press. Atheneum. [8] For an indictment against Slotkin, see Brian W. Dippie, "American Wests: Historiographical Perspectives," American Studies International 27 (October 1989), 17. A fountainhead of fundamental precepts in the field of human history, religion, and cultural philosophy, almost overwhelming in magnitude. Richard Slotkin, author of Gunfighter Nation, argues, “The mythology produced by mass or commercial media has a particular role and function in a cultural system that remains complex and heterodox.
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